I have been wanting to try my hands on a photo documentary and saw a nice opportunity when Mercy akka decided to start her dream ‘Kundhavai’ tanjore painting project. Documenting the various steps involved in the making of a tanjore painting seemed to be an interesting project, and interesting it was!
Thanks to Mercy akka for all the co-operation and patience during the month long project. At times, she even waited for a few days before moving on to the next stage, so that I could capture the art work during all its intermediate stages. And thanks for this nice write up too. I’m going to use it here along side the photos!
Artist: Mercy GP
Text: Mercy GP
Tanjore paintings are a traditional Tamil art works that dates back to 1600 C.E. Nayaks of Thanjavur, Tamil Nadu of the bygone era were the chief patrons of this art. Tanjore paintings have a rich gold work with semiprecious / precious stones, vibrant colors, and a devotional composition. The themes of these paintings are usually limited to Hindu gods and goddesses, and saints. Bigger composition of these art works habitually includes a central figure for the core theme and episodes from Hindu mythology sprawling around that central deity. They are also referred as “palagai padam” (palagai – wood, padam – picture) as they are made in solid wooden planks. They involve various stages – Sketching, Relief Work, Gold Foil and Coloring.
Sketching
Plywood is used as the base which is covered with a fine cotton cloth by a water soluble adhesive. This will be followed by a thick coating of chalk powder or zinc oxide and Arabic gum. Base is allowed to dry well and mild abrasives are used to make a smooth base. After this, preliminary sketch is traced on to the base. Images need not be traced in detail to the board. The outline of the figure and layouts like the pillars and mandapams are enough to proceed. Details such as the ornaments and jewel are added in the next stage.
![[Tanjore Painting] Initial sketch](http://farm5.static.flickr.com/4060/4409755231_73a9d8dc70.jpg)
![[Tanjore Painting] Sketch](http://farm5.static.flickr.com/4070/4410535478_e20790e025.jpg)
![[Tanjore Painting] Sketch](http://farm3.static.flickr.com/2743/4409769333_8345e73ab3.jpg)
Relief Work
This stage is called as “muck work’ or “gesso work”, where the artist accentuates the details of the painting. Mix of chalk powder or zinc oxide and Arabic gum is used again for this stage. This mix could be liquid, semi liquid, or thick as dough for rotis. Based on the designs, artist would choose the type of the mix to be used. Inlay of stones and pearls can be decided now. Semiprecious Jaipur stones are stuck to the board at this stage. Precious stones and pearls are marked clearly and left for the final stage. Abrasives could be used to soften out the surfaces of the embossed reliefs. Threads or laces could be used to augment the effect of jewellery and the others.
![[Tanjore painting] Relief work](http://farm5.static.flickr.com/4042/4416835761_7e967789bb.jpg)
![[Tanjore painting] Relief work](http://farm5.static.flickr.com/4017/4416835397_b32d117bdc.jpg)
![[Tanjore Painting] Relief work](http://farm3.static.flickr.com/2753/4429073553_603091222c.jpg)
![[Tanjore Painting] At the end of Relief work](http://farm5.static.flickr.com/4030/4429838358_7e88347aee.jpg)
Gold Foil
24 carat or 22 carat gold foil is used to ensure that the painting is a collector item and that it lasts for generations to become family heirlooms. Press the gold foil to take the impression of the relief works and are cut into that shape. These leaves will be glued to the reliefs with Arabic gum. Remove the gold foil pasted over the semi precious stones with a pin. After that black engineering pens are used to highlight the relief works over the gold.
![[Tanjore Painting] Gold Foil work](http://farm3.static.flickr.com/2436/4429852126_045aca8e88.jpg)
![[Tanjore Painting] Gold Foil work](http://farm5.static.flickr.com/4056/4429087231_855c4e536a.jpg)
![[Tanjore Painting] Gold Foil work](http://farm5.static.flickr.com/4001/4429852066_8410846d5d.jpg)
Coloring
Set of poster colors are used for the painting. The depiction is motionless often. First the base colors are done followed by light and shades of it. The key figure gets painted first in skin tones as visualized by the artist. The colors of the background are vivid with a striking blue, red, or green. Sometimes dark brown is also used. Once coloring is dried, precious stones and pearls are stuck at the required places.
![[Tanjore Painting] Coloring](http://farm3.static.flickr.com/2767/4430996915_44c0c4818d.jpg)
![[Tanjore Painting] Coloring](http://farm3.static.flickr.com/2798/4430996979_b238ea0c2b.jpg)
Some finished paintings:




Some links:
Mercy’s blog
Mercy’s blog post on the Kundhavai project